Some of the projects & clients we have worked with using our: Drones, Russian Arm, RZR, Shock-mounts, Remote-heads, Cablecams, 360° VR rigs... and other awesome toys!

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Russian Arm
Lexus “Innovate the Future”
Lexus “Innovate the Future BTS”
Hyundai “IONIQ”
Coors “The Journey”
Peugeot “Push the Limits”
Peugeot “308 GTi BTS

Volkswagen “Tiguan – IAA”
Jaguar “XJ”

Wrangler “Born Ready”
Mtn Dew “Directions”

Money Supermarket “Epic Builder”
Michelob Ultra “Anthem”
Uniqlo “Thermal Energy”
Toyota “Where the road ends”
Walmart “Get the Perfect Gifts”
“Celebrate Summer”
“Tech to the Rescue”
“Fully Charged”

Intel “Peak Performance”
Qualcomm Snapdragon “Prequel”
Qualcomm Snapdragon “Snapdragon”
Ram Trucks “Sorry Mom”
Ram Trucks “Cabin”
McDonalds “Skate vs Horse”
Denso “not released”
Bombardier “not released”
Lexus Canada “not released”
Lexus Europe “not released”
Ram Trucks “not released”
Volkswagen USA “not released”
Quicken Loans “not released”
Garmin “not released”
Bell Mobile “not released”

Chevrolet Bolt”not released”
Air Canada “Our Home”
Volvo “Get Away Car”
Cycling Canada “Hop On”
Telus Mobility “Power to the Picky”
Trump International Hotel “Twist on Luxury”
Uniqlo “Ultra Light Down”
British Columbia “The Wild Within”
British Columbia “Making of 360 VR”
Kohls “Holiday Magic”
Mitsubishi “Animal Farm”
BMW / Fairmont Hotels “Lake Louise”
Cigna “Together all the way”
Budweiser “Arctic Road”
Tin Cup Whiskey “John Lynch”
NRG Solar “Photons”
Hudson Bay “Country of Adventures 1”

Michelob Ultra “Time”
Michelob Ultra “Unknown”
Exxon / Mobil “Gordon”
Żywiec Zdrój Water “Human”
BMW / Fairmont Hotels “Banff”
BMW / Fairmont Hotels “Jasper”
Mercedes Benz
“not released”
“not released”
“not released”
“not released”
Castrol USA
“Fast & Furious”
“not released”

Sealy Posturepedic “Comfort”
Toyota “not released”
Desjardins “not released”
Marriott “not released”
Infinity“not released”
Toyo Tires “not released”
Boost “Be Up for It”
Paypal “Birthday”
PayPal “Drone”
Vancouver Aquarium “Reasons to Visit”
GCT “Delta Ports – Intermodal Yard”
Adidas “Run More”
Subway “Chicken”
Land Rover “Discovery The Crossing”
Honda Pioneer ATV “It Exists”
Amazon “Prime Air Promo”
Amazon “Prime Air”
Walmart “El Momento Perfecto”
Walmart “Countdown to Christmas”
Rimowa “Trouble Shooter”
“Company of Heros 2”
Nissan Rogue
“Rocky Rogue”
Hudson Bay
“Country of Adventures 2”
Papa John’s
Behr Paint “Little House  – not released
“John Lynch”
“not released”
Wiser Whiskey
“not released”
Nexium “Holiday – not released”
2017 Olympics

Nestle “not released”
Bose “not released”
Telus “not released
“not released”

Korean Olympics 2018 “not released”
Humana “not released”
Ferrari “not released”
Oreo “not released”
Alfa Romeo “not released”
and a bunch that are MIA 🙂


Revered Cinema specializes in drone cinematography with Alexa Mini & Red Helium cameras, rain spinners, PL zooms, FIZ, etc for Feature Film, Commercial & TV productions

Since it seems everyone flies a drone, what makes RVRD different?


We have been doing this for a while: While most other drone companies buy all their drones off the internet, we custom build our heavy-lift drones specifically made to handle the heaviest of cameras packages up to 55lbs and max speeds of 100km/hr. We have been building heavy-lift drones since 2012, when we were one of the few in the world to fly a Red Epic back in the early days of heavy-lift drones. Since then, we have been continually innovating to stay on the cutting edge of heavy-lift drone technology.

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Drone Q&A - click to open

Why use RVRD’s drone teams:

The FIRST  commercial UAS company in North America to be “ Permitted” w/ Transport Canada & FAA to operate throughout Canada & USA meaning we can operate anywhere at anytime per our permits, other companies can take up to 20-120 days to get permits).
Decades of combined film experience on high-end commercial & feature film productions.
Custom design & build our “Rapture”
UAS/Drones specifically tailored to feature films.
One of the first UAS/Drone operation in the world to be asked to join the IATSE Film Union.
In-house camera equipment for any production (10 Drone systems, Red Weapon, Arri Alex Mini’s w/ EF & PL Motion Mounts, multiple Movis, Preston Fiz, numerous SmallHD Monitors,  Paralinx Tomahawk systems, Generators, Trailer & the list goes on & on.
Partnered up with some of the best manufactures of film & electronic equipment in the world – (Freefly Black Magic, Small HD, Paralinx, Tiger Motors, KDE, Gensace, Dragonlink & more).

So please look around when choosing a vendor for your next production, you will find we are one of, if not “the” highest qualified / most film experienced drone & specialized equipment vendors around!


• Can you use your drones in USA & Canada – Yes we have permits to operate in Canada & USA anywhere at anytime (after we do a risk assessment) + we have additional permissions like: Night Operations, 0-400ft Height, & able to operate with zero prior notice depending on location. Others require an SFOC / 333 permits which can take 20-120 days to obtain w/ restrictions depending on location.


• What makes your drones different – Our UAS/Drones are NOT off the shelve rigs, we custom make/design our UAS/Drones using the best/latest technology possible for the most demanding applications. Our “Raptures” X8’s dihedral design with over/under motor/prop configuration act a mini gyro stabilizers & having high mass/low surface area cuts through wind making it the most stable design period! The design works so well every production comments that its the smoothest drone that have ever worked with!


• How large are the UAS/Drones & are they portable – We have a mobile trailer to be on set within any drive-able location. For air transport, all UAS/Drones are collapsible designed & pack down quite small to travel anywhere in the world. Depending on the shots requirements we can fit everything needed into 1 or 2 pelican cases “well the largest case Pelican makes”.


• Why do you have so many UAS/Drones (10 to be exact) – We have an assortment of drones that are specific for camera payloads & budgets (our large drones are custom/designed manufactured for specific filming environments). Our “Rapture X8” has the most lifting capacity allowed for commercial permits (55lbs) & is our film workhorse, flying a Red or Alexa M, Ultra Primes, Super Speeds & Kowa Anamorphics, HD Downlinks, Preston remote zoom, Movi’s & accessories. We also provide a “Rapture Extended X8E” which is one of a kind & currently has the longest flight times of any “multirotor drone”. Its designed to carry a Flir Thermal camera can achieve 90miutes of flight time. Smaller more budget conscious drones are the Freefly Alta & DJI Inspire


• What equipment can you fly with: We are currently use the Movi gimbals which have a 15lbs payload. We can lift any camera around 5lbs (Red Weapon, Alexa Mini or smaller), any lens under 5lbs (Angénieux zooms, Ultra Primes, Super Speeds & Kowa Anamorphic Lens), Remote FI+Z”, Long range HD Down-link for video village, Freefly Movi M10 or M15 gimbal, etc.


• Is the footage smooth – Smoothest footage possible! We use the Freefly Movi gimbal systems which are unsurpassed & require virtually ZERO post stabilization!


• Do you provide video downlinks for video village – Yes, we provide Paralinx Tomahawk HD Long Range wireless downlinks which can achieve up too 2000ft+ range without dropout with less than 1ms of latency with custom arrays. Client/agency monitors provided via Camera Cart or handheld cages with Paralinx Tomahawk HD “long range” live video feeds which can be daisy chained to as many monitors as needed.


Do you have Remote Wheels (Pan/Tilt) – Yes we have “Wheels” for DP / Camera operators who are used to traditional gimbal wheels rather than thumb or tray remotes.


• How long can we shoot – ALL DAY… we use batteries in dual configurations up to 48,000Mah, & have enough to last any shoot, in bursts of “10-15min with Red or Alexa”, “15-30min with DSLR” & “60-90min with Flir” depending on configuration.


• Any wait between flights – Less than 2-5 minutes to swap out batteries/cards/camera settings/lenses.


• Flight distance & height – Line of sight, usually less than 1000ft horizontal, 0-150ft vertical in urban areas, 0-400ft vertical in rural areas (+400ft height with airspace approval), video feed up to 2000ft.


• How fast is it & can it fly in wind, rain & at elevation – Top speeds are around 65km/40mph depending on conditions – all of the rigs are specify designed to handle winds in around 20+ knots sustained (we have flown up to 30 knots gusting depending on location). We have flown on glaciers at 12,000 elevation & also operate in rain & snow conditions which most will not dare to venture!


• Can we change camera/lenses – YES, with a quick re-balancing which requires a short down time for Movi calibration – usually 2-3mins.


• Is it dangerous – It could be so we take every precaution for safety; years of experience, GPS auto pilot, automated return to home, automated failsafe landing & safety meetings before shooting, lock-offs, etc.


• What if it has a prop or motor failure – Our coaxial rigs all have redundancy meaning if a prop/motor fails it will still fly & return safely – even if two motors fail it will still be under control.


• How many teams do you have – We have multiple teams (pilots, camera operators, safety techs, producer) so we can run various concurrent jobs in USA & Canada.


• Are you insured – Yes we have a 10 million production insurance policy covering liability, property & equipment.

Russian Arm 6

The world famous Filmotechnic Russian Arm is all grown up! This is the longest mobile crane arm around with a max length of 25' with a max height of 26ft! It's capable of lifting huge camera packages and VFX arrays up to 200lbs. We have multiple Flightheads to suit any camera package requirements.

The RUSSIAN ARM 6, servicing Western Canada & Northwest U.S.


The newest, longest, most powerful arm of its kind: The Filmotechnic Russian Arm 6 a.k.a. the “RA6” is a beast!  Its reach is unsurpassed and has modular arm lengths of 14, 18, 21 and 25 feet. It was built with massive camera packages and VFX arrays in mind with total max weight up to 200lbs. The Russian Arm 6 is mounted on our customized BMW X5M with 555hp for unsurpassed performance and comfort.

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Russian Arm 6 Specs - click to open

Russian Arm 6

Mounting: BMW X5M w/ 555HP
Stabilization: 2-Axis Gyro-Stabilized Arm
Boom length: 25, 21, 18, 14’
Lens high range: 26’ above grade

Lens low range: 13’ below grade
Crane Pan Speed:360º degrees in 6 sec
Height Clearance: 1’3
• Payload Capacity: Max weight 200lbs (90kg)

Flighthead Apex:

Stabilization: 3-Axis Gyro-Stabilized
Payload Capacity: 66lbs (30kg)
RF Wireless: yes
Pan Axis travels: 360º

Roll Axis travel: 42º
Tilt Axis travel: 240º
Temperature range: -40 to 104ºF

Click above image to enlarge

Russian arm mini

The world famous Russian Arm… now mini sized! This is the most compact mobile crane arm used to capture moving vehicles. It weighs only 400lbs so it's movable and remote operated so it can be mounted on any vehicle, in all weather conditions. It is the ONLY TRUE OFF-ROAD ARM AROUND!

RVRD is proud to have the latest Russian Arm Mini with Flighthead Mini 3 in-house!


One of the most versatile camera arms around: The Filmotechnic Russian Arm “Mini” which can be mounted onto ANY CAR! The Russian Arm Mini is so light, that it can be shipped and attached to almost any vehicle with a roof rack. Imagine, shooting “car to car” and then able to mount the Russian Arm Mini onto the picture vehicle to capture the car and occupants all via wireless remote control! What about mounting it to an electric car for emissions-free & silent studio work, or on our offroad RZR 4X4… the possibilities are endless!

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Russian Arm Mini Specs - click to open

Russian Arm Mini

Mounting: Any vehicle (with approved roof rack system)
Stabilization: 2-Axis Gyro-Stabilized Arm
Boom length: 12’
Lens high range: 11’ above grade

Lens low range: 4’ below grade
Crane Pan Speed:360º degrees in 6 sec
Height Clearance: 6.9’
• Payload Capacity: Camera weight 44lbs (20kg)
Operating Weight of Crane: 309lbs (141kg)

Flighthead Mini 3:

Stabilization: 3-Axis Gyro-Stabilized
RF Wireless: yes
Pan Axis travels: 360º

Roll Axis travel: 270º
Tilt Axis travel: 200º
Temperature range: -40 to 104ºF

Click above image to enlarge


RVRD's "RZR 4x4" is THE machine for offroad! It has an insane 168hp turbo engine, custom snow tracks, offroad / onroad tires, shock mounts & can even mount the Russian Arm Mini w/ Flighthead Mini 3 on it!

The “RZR 4×4″…  the most versatile off-road arm & shock mount vehicle – period.


The most rugged off-road filming vehicle: Well equipped to carry up to 4 people comfortably and safely through rough terrain (sand, mud, dirt and even snow w/ our  snow-track system). It has a turbo 168hp motor w/ 95% torque available from 5000-8000 rpm equaling 114 ft-lbs of peak performance, making it the fastest UTV made to date! It has all the bells and whistles possible; custom roll cage, custom camera mounting options (shock mounts, hard mounts and the amazing Russian Arm Mini) and much more.

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RZR 4x4 Payload Specs - click to open

Russian Arm Mini

Mounting: Any vehicle (with approved roof rack system)
Stabilization: 2-Axis Gyro-Stabilized Arm
Boom length: 12’
Lens high range: 11’ above grade

Lens low range: 4’ below grade
Crane Pan Speed: 360º degrees in 6 sec
Height Clearance: 6.9’
• Payload Capacity: Camera weight 44lbs (20kg)
Operating Weight of Crane: 309lbs (141kg)

Flighthead Mini 3:

Stabilization: 3-Axis Gyro-Stabilized
RF Wireless: yes
Pan Axis travels: 360º

Roll Axis travel: 270º
Tilt Axis travel: 200º
Temperature range: -40 to 104ºF

RZR 4×4:

Drive: AWD & 2WD
Top speed (wheels): 70mph
Top speed (snowtracks): 30mph
Displacement: 4 stroke / 925cc
Person Capacity: 5 (3 in back seat bench)

Wheel base: 117in
Length: 146in
Clearance: 14in

Highlite LED

Have a tough scene you need to light in a remote or difficult location? Introducing RVRD's HIGHLITE LED for drones, cables cams, vehicles, etc. The game changing HIGHLITE is capable of outputting 126,000 lumens (equivalent to a 9,000 watt HMI light) in a small package weighing 8lbs (15lbs w/ gimbal).

Introducing our HIGHLITE specialty lighting systems.


HIGHLITE is a custom LED light system: Designed in-house at RVRD for aerial lighting projects, capable of a BLINDING 126,000 lumens (9,000-watt equivalent), which mounts to our drone gimbals. The HIGHLITE has the ability to pan 360 degrees and tilt over 180 degrees and is operated via a wireless HD witness camera which offers the operator the ability to follow absolutely anything.


Multiple options available: The HIGHLITE can be converted to a specific color temperature, multiple brightness adjustments (from 14,000 lumens all the way up to 126,000 lumens), and is available in two configurations – Spotlight Mode (15º) or Flood Mode (60º). If you require even more light on your scene, the drone is then outfitted with the HIGHLITE “BRIGHT” system for an INSANE 238,000 lumens of light output, which is equivalent to 17x 1,000-watt lights… close to a 20KW HMI Fresnel equivalent flying into any position you need to light!

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HIGHLITE specs - click to open

Key Features

 9,000 watt equivalent = 126,000 lumens
 Lightweight = 15lbs including remote head
 Mounting on anything (drone, cable-cam, vehicles, lifts, under or top mounting, etc)
 Beam spread = Spotlight Mode (15º) to Flood Mode (60º)
 Operating time = 10min (enough batteries supplied to run hours)
3-Axis Gyro-Stabilized Gimbal (360 pan and 180 tilt)

Cable Cams

We have in-house "horizontal & vertical" cable cams... yes we said vertical cable cams, which open up a new dimension to a traditional system. The "Sea To Sky Cam" is a single axis, point to point cable cam that can carry a 200lbs payload at speeds up to 55 mph, over a 2,000+ foot span.

RVRD has partnered with “Sea to Sky Cable Cam” to bring this amazing gear in-house.


We have 3 flavors of the “Sea to Sky Cable Cam”… Horizontal, Vertical and Mini to suit any production or terrain in any direction.


Our “Horizontal Cable Cam” motor system is very quiet: Making it perfect for indoor or outdoor venues where silence is critical and providing reliably and safely to the most demanding live broadcast, TV and features. The “Sea to Sky Cable Cam” is unique in the world due to its operation via 100% battery power – 3 phase power is NOT required, enabling the system to be portable and affordable but still offer 20 HP of continuous pull power! Light enough to travel as operators excess baggage, fast enough to set up in one day.

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Cable Cam Specs - click to open

Horizontal Cable Cam

Payload: Up to 250 lbs: Flighthead Mini, 5, 6 XL, XXL, Movi
Stabilization: 3-Axis Gyro-Stabilized Arm
Speed: Maximum 55 mph, Minimum 0.25 ft
Distance: 2000+ feet

Slope: 30 degrees
Power: Batteries (no 3 phase required)
Set up time: 1 day setup, typically a few hours tear down

Vertical Cable Cam

Payload: Up to 250 lbs: Flighthead Mini, 5, 6 XL, XXL, Movi
Stabilization: 3-Axis Gyro-Stabilized Arm
Speed: Maximum 35 mph, Minimum 0.25 ft/sec
Distance: 500+ feet
Slope: Vertical / Steep Slopes
Power: Batteries (no 3 phase required)
Set up time: 1 day setup, typically a few hours tear down

Mini Cable Cam

Payload: Up to 75 lbs: Flighthead Mini, Movi
Stabilization: 3-Axis Gyro-Stabilized Arm
• Speed: Maximum 35 mph, Minimum 0.75 ft/sec
• Distance: 2000+ feet
• Slope: 30 degrees
• Power: On-board batteries
• Set up time: 1 hour setup, few minutes tear down

Remote Heads

We have many in-house MOVI PRO, MOVI XL & RONIN 2 gimbals that we used handheld, shock mounted & on drones. We also offer the renowned FILMOTECHNIC "Flighthead Mini 3, 5, XL, XXL for heavy camera packages.

If you need a remote head… we have you covered: handheld, velocity & studio work !


First up is the “Freefly Movi” which revolutionized cinematography: the Movi is an amazing and versatile gimbal for 15lbs payload and we have a bunch of them “10 to be exact“. They can be used handheld, on drones bottom or top mounted, rigged to vehicles, decelerators rigs, over & under slug, used with Easy Rigs, attached to shock-mounts, inside tight spaces like cars, even to get those illusive “oners”… the possibilities are endless.

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Various Remote Head Specs - click to open

Freefly Movi

Mounting: Anything
Stabilization: Digital 3-Axis Gyro-Stabilized

• Payload Capacity: Camera weight 15lbs
Weight: 5lbs
Operating Speed: Up to 60mph

Flighthead Mini 3:

Mounting: Anything that has the mount of can be rigged
Stabilization: Digital 3-Axis Gyro-Stabilized

• Payload Capacity: Camera weight 30lbs
Weight: 21lbs
Operating Speed: Up to 80mph


Flighthead 6:

Mounting: Anything that has the mount of can be rigged
Stabilization: Digital 3-Axis Gyro-Stabilized

• Payload Capacity: Camera weight 88lbs
Weight: 50lbs
Operating Speed: Up to 100mph


Flighthead XL:

Mounting: Anything that has the mount of can be rigged
Stabilization: 3-Axis Gyro-Stabilized

• Payload Capacity: Camera weight 100lbs
Weight: 66lbs


Flighthead XXL:

Mounting: Anything that has the mount of can be rigged
Stabilization: 3-Axis Gyro-Stabilized

• Payload Capacity: Camera weight 130lbs
Weight: 70lbs

Click above images to enlarge

Stabilized 360° VR

The future of content creation is here w/ RVRD's custom 360° VR gimbal which has everything your client wants + much more... 360° VR, Stereoscopic, Live Stitching, Client Monitoring, Live Youtube or Facebook Streaming, perfectly stabilized video & its remote operated.

The next evolution of filming… 360° VR w/ Live Stitching, Client Monitoring & Streaming!


360° VR attached to any rig and in any environment: This is the most flexible 360º VR capture, monitoring and streaming solution around… oh and its fully stabilized! Attach it to a drone, flip it over and mount it to a car, throw it into our backpack rig, hook it to a cable camera, mount it to a helmet, you name it and it mounts to it!

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360° VR Specs - click to open

Key Features

Live Stitching (real-time proxy stitching before processing)
Live Client Monitoring (via two iPad Pro 12″)
Live Broadcasting (up too 600ft)
Live Streaming (YouTube or Facebook)
3-Axis Gyro-Stabilized Gimbal
6 to 12 GoPro Hero cameras
6k to 8k final resolution (depending on cameras used and resolution)

Remote operator (independent control of forward facing camera
Mounting on anything (drone, cable-cam, vehicles, helmets, under or top mounting)

Other Services

Besides the services above, we also offer traditional cinematography services like directing, dp'ing, vfx, stills, hanging out of helicopters, training & consulting to various film related industries.



Our team is multi-talented so we  offer directing and / or dp’ing services to productions since we know how to use our equipment better than anyone.


We have an in-house VFX director with a decade of on-set experience to assist in your projects or to consult prior to shooting.



Most of our crew started out as professional photographers in the action sports industry w/ decades of location & studio experience.


We are adrenaline junkies: ex-professional snowboarders, snowmobilers, mt climbers, surfers, etc… so we have you covered for extreme filming.


drone instruction training seminarsTRAINING SEMINARS

We teach UAS operations, safety, regulations and engineering to various industries looking to use unmanned technologies.


uav-drone-ua-consultingPROFESSIONAL ADVICE

We are experts in unmanned aerial technology, innovation and implementation; assisting businesses worldwide with their UA ventures.


We have an amazing amount of specialized camera equipment to suit any production from feature film to budget conscious documentaries. We have multiple backups of all our gear to insure your production runs perfectly. RVRD is a film production "toy store" for all your specialized camera gear...


“THE HEAVY LIFT DRONE” for feature film & commercial work, the RVRD “Rapture X8” is the fastest, heaviest lifting & longest flight time drone guarantied! Capable of lifting a Alexa/Red camera package w/ Angenieux Optimo lenses, Preston Fiz at speeds up to 104km/h & up to 20min flight times! The Rapture can operate in any condition: rain, snow, elevation & cold.


Freefly ALTA 8 is a “MEDIUM LIFT DRONE” for light weight camera packages w/ a max take off weight of 40lbs @ sea level, max speed of 65km/h & max flight time of 10min. The Alta is an internet purchased drone which is especially good for hard to get locations due to its foldable design. Note: the Freefly Alta is 1/2 the performance of the Rapture Drone.


The DJI Inspire 2 is an amazing little drone that accelerates up to its max speed of 58 mph in seconds, with up to 25 minutes of flight times. This little guy is great for tight locations or high risk situations, plus it has interchangeable lenses & shoots 6k RAW or ProRes.


The newest, longest, most powerful arm @ 14, 18, 21 & 25 foot lengths & mounted on our customized BMW X5M w/ 555hp of unsurpassed performance & comfort. The Filmotechnic Russian Arm 6 performance beats every other arm made!


THE machine for offroad! With a 168hp turbo engine, custom snow tracks, off-road / on-road tires & Russian Arm Mini with Flighthead Mini 3 on it you can take it anywhere. This is a true off-road arm vehicle, not a 4×4 truck outfitted with an arm which does poorly in comparison on extreme terrain!


Horizontal & Vertical cable cams for additional creativity. The cable cam systems can carry up to 200lbs payload at speeds up to 55 mph along a 2,000ft span.


Need a compact chase system then we have just the thing. EVB is capable of taking on rough terrain up to 60km or indoors for emission free operations w/ a Movi Pro package.


When you want to get low! Mount a Movi Pro camera system on our fleet of 1/5th scale chassis. These fast & powerful vehicles are able to move an Alexa/Red package up to 40km/h.


This is our “digital dolly” which goes on/off road up to 20MPH! Features redesigned motor that provides even smoother, faster riding, more torque at all speeds, better hill-climbing and higher top speeds.

alexa min drone, uav, red weapon

We have two compact, lightweight & self-contained “ARRI ALEXA Minis. The ALEXA Mini perfectly complements the entire ALEXA line of cameras, eliminating the complications of working with third-party cameras for specialized shots and keeping everything within a single system that is trusted all over the world.


RED’s premier sensor provides cinematic Full Frame lens coverage and delivers 17+ stops of dynamic range (35.4 Megapixel CMOS Sensor / 40.96 mm x 21.60 mm (Diag: 46.31 mm).


The RED WEAPON “Helium” 8K’s delivers stunning resolution and image quality, creating clean and organic images that bring your footage to life. At 35 Megapixels, 8K offers 17x more resolution than HD—and over 4x more than 4K.


Featuring Dual Sensitivity Modes, GEMINI is RED’s highest-sensitivity sensor to date and delivers exceptional low-light performance allowing for cleaner imagery with less noise and better shadow detail. In addition, the sensor’s 30.72 mm x 18 mm dimensions allow for greater anamorphic lens coverage than with the HELIUM.


The Angénieux Type EZ is a unique S35 & Full Frame zoom lens, which can be converted to cover various focal lengths. EZ-1 covers  S35: 30-90 / FF: 45-135 and the EZ-2 covers S35 :15-40 / FF: 22-60mm.


We have 3x Angenieux Optimo lightweight hand-held zoom lenses – including the 15-40mm, 28-76mm, and 45-120mm – provide superb balance between quality and agility.


2x full kits of Ultra Prime lenses (16, 20, 24, 32, 40, 50, 65, 85, 100mm). The Ultra Prime lenses are lightweight standard speed lenses that are a perfect optical match to the high speed Master Prime lenses.


Century Optics 17-35 & Red 17-50 T2.9 are great light weight zoom lenses. Then there is the very rare NAC/KOWA Anamorphic 40mm T2.1, its not just the lightest anamorphic around but DP’s love the low contrast, warm color and gorgeous flares.


The S35xFF Expander scales the Super-35 image up to 46.4 mm, covering full-frame format (ø 43.5 mm) and even the RED Dragon 8K format (46.3mm). Designed to ensure minimum light fall off & maximum image performance for larger sensors.


The Preston FI+Z (focus, iris, zoom) systems consists of the Hand Unit, Motor Driver, Digital Motors, cables, motor mounting bracket and available with light weight Heden M26VE motors for drone use.


The Preston FI+Z (focus, iris, zoom) systems consists of the Hand Unit, Motor Driver, Digital Motors, cables, motor mounting bracket and available with light weight Heden M26VE motors for drone use.


The Preston Single Channel wireless focus device allows for wireless focus pulling. We also have light weight Heden M26VE motors which are used on our heavylift Rapture drones.



Come check out our Instagram where you can see some of the projects we're on and what we are up to!


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PL prime / zoom lenses for aerial and ground services

Various heads to support any camera package

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REVERED CINEMA | | 1-888-309-RVRD (7873)

RVRD “pro·nounced RE∙VER∙ED” is North America’s premier specialized cinema vendor and we take pride in giving our clients the highest quality of service, using the latest technical gear to get those difficult shots we all aspire to achieve.

We provide a wide range of specialty gear and skill sets to various industries like Feature Film, TV Series, Commercial productions as well gear rentals, industrial services and sales. Our offerings include but not limited to drone, russian arm, rzr 4×4, cablecams, cameras, etc – you name it we have it + we have multiple teams able to operate throughout North America!

We are the West Coast Canadian & North West U.S. (BC, AB, SK, MB, YT, NT & WA, OR, ID, MO, WY). suppliers of the world renown Filmotechnic Russian Arm and Flighthead remote heads. Carry a 10million liability policy, have drone permits to operate anywhere in North America since 2015 when we became the 1st and only drone operation with both U.S. and Canadian permits, we have special use permits to operate in restricted airspace like Niagara Falls and downtown locations, awesome camera vehicles, tons of in-house gear and an amazing crew of a twelve who take pride in their craft. Since we have worked at the highest of caliber on some of the largest productions around, we think of ourselves as not only an equipment provider but more of a problem-solving team for your all production needs.

We have taken our years of Feature Film production experience and translated the skills learned to provide efficient and cost effective services for industrial clients. The advent of aerial drones for remote surveys have lowered data collection costs, increased productivity and all while leaving the human element out of high-risk areas.

Please browse the site and you will see what we have achieved and continue to strive for… so when you are looking for a vendor to shoot your production, choose Revered Cinema – your “one stop shop” of some of the most experienced & knowledgeable professionals around.